Joined: Dec 31, 2010 Posts: 40 Location: Tucson, AZ
Audio files: 2
Posted: Mon Dec 30, 2019 11:13 am Post subject:
Re: test port
Blue Hell wrote:
Parityflux wrote:
Hi. I read the streaming wiki over a few times and I am still unsure what port to test on. I'm using Edcast which is a shoutcast streamer so I think I'd be on the sc_serv model.
-j
Hi, saw you were in chat .. but at a time people there were sleeping.
and your connect info is :: 8134 public 3 with username public and password public .
When no one is available to listen you can test your own stream if you want by going to :: http://electro-music.com/~janpunter/play.php?port=8134 make sure you are streaming at mp3 44100 stereo with a stream rate of 128 kbps.
Posted: Mon Dec 30, 2019 11:47 am Post subject:
Re: test port
Parityflux wrote:
Awesome, thanks for all you do, Jan.
Thanks, but it's really PHOBoS who's doing all the work and not forgetting to start it up and the posters and the scheduling and most of the witching, I just help a lil here & there.
So, thank you PHOBoS for organizing this again and again
Joined: Jan 14, 2010 Posts: 6058 Location: Moon Base
Audio files: 728
Posted: Mon Dec 30, 2019 1:30 pm Post subject:
hmm I feel more like a wizard/sorcerer than a witch (or warlock in my case)
but I guess there isn't much of a difference between them and they all deal
with occult magick.
Here is my set, which was a minimal, hopefully hypnotic exploration of patterns of 15 different notes (and silence) using three 4-bit shift registers, some CMOS logic and DCOs. Not pure Lunetta, I take the 4 bits of a shift register in parallel and put them into an Arduino, which produces a corresponding square wave of a chosen note (in just intonation), and then run through a stepped triangle wave generator (using yet more 4015's).
Two shift registers were hard-panned L and R and logically related, and I tweaked the clock and data oscillators. Then there was a third one in the center which I would intervene even more with. Mostly its clock and data were unrelated to the others, but sometimes it used the same clock through a divide by 2,3 or 4.
The ending didn't come out quite as nicely as I would have liked, but that is the nature of improvisation.
Thanks again to everyone for playing, organizing, and listening.
.: james :.
James Schidlowsky - 20191231 Live on Electro-Music (128).mp3
Description:
James Schidlowsky A.K.A. RingMad - New Year's Eve set, 2019.12.31
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27.76 MB
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James 20191231 live on electro-music setup 1024.jpg
Description:
Setup including the HIL 0010001100101000 Lunetta, Arduino/CMOS DCOs and some snowy cars outside the window.
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340.18 KB
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This image has been reduced to fit the page. Click on it to enlarge.
I enjoyed your set too James, it was very hypnotic, and only one of two sets I got to hear live. I think the end worked out well - not knowing what you had in mind. I hope you play on more events. _________________ Muied Lumens Sub Forum Bandcamp
Thanks to all the stream ops and performers for a fantastic day. Extra thanks for the artists sharing their sets here. HNY! _________________ ElectroCasa
Joined: Jul 07, 2007 Posts: 2081 Location: Berks County, PA
Audio files: 90
Posted: Wed Jan 01, 2020 4:28 pm Post subject:
Subject description: Acoustic Interloper set
Here is my set and a picture of the rig. The upper monitor shows the server half of a client/server visual musical instrument that my students & I started building in the fall. The client runs on Android tablet & sends MIDI data via OSC to the server, which the server converts to animated graphics for the planetarium, and conventional MIDI that it sends to soft synths running under Live. I recorded MIDI loops from this Android -> Processing UI for soft synths used as backing tracks. The longest backing track is a library Max/MSP "Drifting Ambient Pad" for more than half the piece, with an Applied Acoustic Systems, physical-modeling (AAS) Tassman flute that I use a lot taking its place during my Ebowing, and an AAS StringStudio cello later, while I was changing the guitar tuning.
The guitar is a Godin xtsa with synth + conventional pickups, the former feeding signal to a Roland GR33 guitar synth. I used the guitar + GR33 "Strobe Mode" patch for the initial guitar work and some later ebow, GR33 "Guitarron base" for the "Linda" segment, and GR33 "Perc Kit" along with AAS-Chromophone-Wood Perc, driven from the guitar/GR33 via MIDI cable, for the percussive section at the end, mostly playing harmonics and damped strings using banjo picking patterns. My 1971-72 banjo teacher and I play together when we collide; he played the planetarium 3 years ago, and agreed that my playing style is a lot like drums. Each string is a tuned drum, and I play rhythm patterns with my right hand's fingers. Mosc once told me that my synth music sounds like my banjo playing.
Oh, also two no-input mixers, a Yamaha MG124cx and a Galaxy Audio AXS-10 (the red one) during the first five minutes, live duet with the first backing track. I had never got such deep base out of the Yamaha in over 5 years of playing it. A little clipping during that part, also when I overdrove the guitar signal in a few places, but of course it's impossible to adjust levels when your hands are on the instrument. Picking more softly helps on guitars & banjos.
Thanks so much to PHOBoS for setting it all up again, to Jan and the stream operators, and to everyone who played and listened. Besides teaching university I am doing a lot of generative visual art these days, and don't get enough time to play music during semesters. I fell back in love with this Godin guitar, prepping for this event.
ParsonNYE20192020_WinterIsHereLinda.mp3
Description:
Winter is Here / Linda, Copyright 2020, Dale E. Parson, Creative Commons Attribution 4.0 International (CC BY 4.0), copy with attribution.
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42.57 MB
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NYE20192020Parson.jpg
Description:
my rig
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4.61 MB
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492 Time(s)
This image has been reduced to fit the page. Click on it to enlarge.
_________________ When the stream is deep
my wild little dog frolics,
when shallow, she drinks.
Hi all
many thanks to phobos and the switching team for setting up the NYE concert and thanks to all performers and all who listened in on the day .
Here is the Epicyclus set , i had some computer problems at the start of my set so i edited a fade in for the upload
using the usual gear RM1X controlling the blue modular / waldorf pulse 1 / nord G1 / korg X5 / juno-60 / Jackson axe (guitar) with diy chainsaw distortions box & a spread of cheap n cheerful chorus & delay fx pedals on.
Well, we enjoyed this years NYE event. Thanks to Phobos for organizing.
This year we had an equipment disaster; a computer crash. This not only crashed the stream but we lost the recording. After we finally got the computer straightened out and we got back on the stream, our playing was not up to snuff, but we played as best as we could.
Last night on Chez Mosc, we recorded a make up set. It's similar to what we were trying to play on the NYE concert. A link to that one follows:
Joined: Dec 31, 2010 Posts: 40 Location: Tucson, AZ
Audio files: 2
Posted: Fri Jan 10, 2020 7:56 am Post subject:
set recording
Hello,
Here is our recording of our set. Please accept our apologies for dropping the feed send during the last 15 minutes of the show. We will stream and observe chat on a separate computer next time. I was completely oblivious to the disruption. Fortunately the recording was done on an outboard device and we retained the entire performance.
Thanks again to everyone that participated and for the stream ops for their unending help, work and patience.
Cheers to 2020!
-John
Background Noise and Pure Tones _ A Prayer For Hindsight.mp3
Description:
Parityflux & DNAZ - Background Noise and Pure Tones _ A Prayer For Hindsight (NYE 2019/2020 Concert)
Joined: Dec 31, 2010 Posts: 40 Location: Tucson, AZ
Audio files: 2
Posted: Fri Jan 10, 2020 8:05 am Post subject:
mosc wrote:
This year we had an equipment disaster; a computer crash. This not only crashed the stream but we lost the recording. After we finally got the computer straightened out and we got back on the stream, our playing was not up to snuff, but we played as best as we could.
Last night on Chez Mosc, we recorded a make up set. It's similar to what we were trying to play on the NYE concert. A link to that one follows:
Oh, man, it was in the air! Gremlins!
My performance DAW crashed and I recovered while DNAZ was able to keep playing, alas I didn't realize the stream dropped. The recording was intact. Our playing got way off track and we tended to not listen to each other. That's how it goes, and that's how it went. We left our setup intact and recorded again a few days later. We hope to compile a recording of the best of the two days.
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